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Confession
      The confession takes place in the courtyards of one of the Asrama. It begins with a short speech of the Samnyasis who sends all non participants out. Then each and every one comes forwards and they are questioned about their lapses and whether they have already taken part in a Satsanga Gosthi earlier. A few answer immediately that they had not committed any lapses and there upon they are dismissed immediately. Thus no basic sin-consciousness is expresses here, but only the desire to purify one from the lapses committed. On this occasion, ethical lapses like killing, lying, stealing, adultery etc, seem to weigh as heavily as ritual lapses as for instance not to perform prayers at the correct time or to take something during night time etc. The Baba admonishes each and every one and makes sure of their intention, not to commit any mistakes in future. Then he decrees penitences according to the severity of the act and , apparently, also according to the final position of the individual manifold performing of Sarana and Darsana, taking of pavitra (a mixture, which mainly consists of the urine of a female calf and has a purifying effect) for instance the case of repeated killing of animals, an expulsion from the community was threatened.
      Although ethical and ritual lapses are reproached equally, a pastoral effort is still clearly discernible which ascertains the severity of a rituals lapses according to the intention behind committing it. Thus for instance, some one who had missed the evening prayer due to a journey by train, but had tried to compensate it on the next day itself, was reproached far less than someone who had not undertaken anything like that. Note worthy is the tendency to a uniform social ethics binding to all, which excludes certain morally questionable professions; a moneylender who confessed that he had to tell lies often and has to act firmly against his debtors, was with appropriate penitence, admitted for this time to the Satsanga Gosthi but in principle hw was given the option between his profession and the sect's membership. This would be a new element in Hinduism, which initially does not have any social ethics binding on all, but prescribes different Dharmas for each individual caste. For the layman, confession and admission to Satsanga Gosthi means a sort of second initiation which makes it obligatory on them to observe all rules quite strictly.
      The Samnyasis too have to make a confession before they are permitted to take part in Satsanga Gosthi. In their case, all lapses are atoned for much more severely. The penitences consists as in the case of laymen, of the obligation to perform sarana and darsana more often and to take pavitra. Besides this, there is also the possibility to impose fines on them, for which they have to ask their followers and in doing so have to give an account of their lapses. There is also the possibility of a temporary or a complete expulsion from the community.
      During the last Guru Purnima festival an Apara Samnyasi was expelled for ever on account of the violation of the commandment of chastity, a Para Samnyasi was expelled for three years because he had visited his birth-place and had spent more than one night in a Tungi. Significantly for the high value attached to the personal behaviour is the fact that an Apara Samnysi was expelled for one year because he had beaten a child.
Satsanga Gosthi
      Shortly before the next midday, Satsanga Gosthi takes place: a common meal for all laymen and monks who have been accepted in the order. Food is cooked by the laymen in the open at an especially demarcated place and is also taken there. The participants sit in long rows facing each other. Women form a separate row. The meal, as well as each meal of the Babas starts with all participants putting a morsel in the mouth and concludes with the shouting of "Alekha" and the common expression of joy.
      As already mentioned, eating together by members of different castes depicts a feature of medieval Nirguna Bhakti and forms a special characteristic of the Jagannatha temple. There Prasada (literally: "grace") i.e. food offered to the gods, is eaten by all the pilgrims together irrespective of the castes they belong to. However, the rite of eating together lost a lot of its original practical significance, after an entirely free access to the temple was again confined to the higher castes in the 16th century. The reason why Pradasa can be taken by all human beings lies in the nature of this food itself which justifies an exceptional situation. Having been offered to the gods, it is so pure that nothing can pollute it all. Even if a dog has eaten from it, it does not lose anything of is divine value. Such exceptions are mentioned by the Panchasakha, too. To give an example, Nirguna Mahatmya narrates that the Samnyasi Avaduta had, even though he himself was a Brahmin of divine parentage, eaten in the house of all castes, since he had become equal to Visnu through his Brahmajnana and thus he could not be polluted any longer.
      The ritual of Satsanga Gosthi that can be practiced everywhere and at any time is the attempt to make this exception a rule for all true believers: the reason, however, is not due to the purity of food, as in the case of Prasada. Of course, this motive is there in the reports on the foremost celebrations of Satsanga Gosti. It is stated that the food of which Mahima Svami had partaken was entirely pure. The actual reason, in continuation of the thoughts from Nirguna Mahatmya, however, is due to the nature of bhaktas all of whom stand in the same relationship to parama brahma after the purification of their lapses.
Niti
      The only form of temple cult recognized by the Mahima Dharma takes place in the Gaddi Mandira, the seat of the founder.
      In the interior of the Gaddi Mandira, only the so called Niti Babas, eighteen selected para-Samnyasis are allowed to enter. They perform here Niti in the morning, at noon and in the evening, i.e. they open the temple doors, sweep the temple and then go round carrying a camera and striking gongs. This is an obvious adaptation of the worship of Jagannatha which is like wise termed as Niti (literally: "conduct" or "morality") [see Tripathi chapter -15]. In the worship of Jagannatha, sweeping plays a decisive role: for example on the car festival the king himself has to sweep in front of the figures of gods (see below Kulke chapter- 11 and Dash chapter- 12). The cameras are royal requisites which are like wise among the temple property of Jagannatha. In the same way, the striking of gongs marks important movements in Jagannatha worship, for instance, throughout the period the chariots are moving, a lane of gong striking Brahmins is formed in front of the idols of gods.



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